Six Degrees Records has managed to assemble a formidable roster of Brazilian artists, as well as bands with a decidedly tropical slant, over the last several years, with artists like Bebel Gilberto, Zuco 103, Cibelle, and Bossacucanova. Chief among these artists is Celso Fonesca who on his latest release has managed to capture the spirit of the Brazilian Pop and Jazz artists of the 60’s with their easy going Bossa Nova sounds. Having worked over the years with such greats as Caetano Veloso, Jorge Ben Jor, and Gilberto Gil it is no mystery that he has composed an album with deep nostalgia yet maintains a decidedly modern approach.

Possessing the pace of a hammock gently swinging in a light summer’s breeze Rive Gauche Rio is constructed from sparse textures, layered carefully, conferring to it a contemplative nature. It is a languid affair that has no compunction to propel the listener forward rather the current of the album pulls you along gently drifting from song to song. Mind you that Rive Gauche Rio does not meander aimlessly, the production and direction it polished and focused with each song reflecting care and purpose resulting in very tight arrangements where no sound is superfluous or misplaced.

Perhaps the most striking song on the disc is the cover Damien Rice’s song, “Delicate”. Built upon hushed percussion Fonesca’s voice is naked and plaintive. With the understated guitar floating in the background and the occasional voice that drifts in on the choruses the song captures the weariness inherent in the lyrics. It is an powerful interpretation of the song and nestles seamlessly into the remaining album.

Rive Gauche Rio is a beautiful work. Fonesca has crafted a work that safely ensconces him into the pantheon of Brazilian artists. Highly recommended.