Author Archive for David

White Stripes cancel ACL & Stubb’s

White StripesAdd The White Stripes to this list: Amy Winehouse, Rodrigo y Gabriela and Jon Dee Graham. According to Austin 360 and the ACL message boards The White Stripes have canceled their performances at ACL and Stubb’s due to an illness. Now I am really happy I have Dylan tickets for Saturday night; that is until they put someone in that slot that I wanted to see. Hopefully we’ll find out by tomorrow what the ACL promoters will do. No word if the Stripes will be playing their Thursday gig at Kiva Auditorium in Albuquerque yet. If they do that would be kinda weird since they’re citing medical issues for the cancellations.

EDIT:
They have officially taken The White Stripes off Saturday’s schedule (although they’re still on the front home page) and they moved Muse to the Stripes slot. Dr. Dog has been added but they’re up against “Sound Team”. Damien Rice is now up against Arctic Monkeys, which makes much more sense. St. Vincent has been put in Jon Dee’s open slot.

Austin City Limits Festival 2007

If you were following me here, I am sure you thought I had disappeared forever. As I mentioned in one of my last posts, I had horrible back pain after attending (and jumping around at) a Spearhead concert last November. Well all is great now! I had back surgery and if this was MD blog I would go into details on great it was but thankfully it’s not, so I don’t relive that experience again. I have not seen a live show since last year which is one of the longest droughts I’ve had since seeing Van Halen in 1984. It would be apropos if I was to announce I was seeing Diamond Dave and little Wolfgang playing but I haven’t looked into those dates yet. But I am starting my year or I guess I should say ending it, by going to Austin to check out a weekend’s worth of live music for this year’s annual Austin City Limits Festival.

Since it was announced I haven’t been that crazy about the line-up which is headed by Bob Dylan, Björk, The White Stripes, The Killers, Wilco & Arcade Fire. On paper it doesn’t look like it has the diversity that other years have had. I went in 2003, 04 and 05, missed last year and the first one. This year it seems like there are lot of young indie- type bands without the experience. For instance Rodrigo y Gabriela (who I first discovered through NPR) have canceled due to to exhaustion. They are being replaced by Common, which I don’t know his music but I am glad cause it does diversify the festival a bit by adding some hip-hop, but by accident. Of course it’s widely known that although she sang that she didn’t want to go-go-go Amy Winehouse has finally gone into Rehab so she will n longer be a part of the bill. Also another example of lack of lengthy experience of the performers, the band Sound Team a relatively young band are breaking up after this show.

There are only a few artists on the bill with longevity to their careers, such as Lucinda Wiliams, Steve Earle and of course Dylan are among the few big name acts that fit in this category. I shouldn’t really complain I get to see my favorite band Yo La Tengo (who I would say fit in the long career group) within the same day as my favorite solo artist Bob Dylan. So, yes I am changing my tone and getting psyched since it is just a few days away and I have some great after-shows lined up as well. We’re seeing Stephen Marley and Zap Mama on Friday night at Emo’s. My buddy Joe who is a die-hard Drive-By Truckers fan wants to stop in at Club 155 and see Patterson Hood before we head over. We were keeping Saturday night open, as nothing was screaming out to us until it was announced last Friday that Dylan would be playing Stubb’s BBQ. A spot that people speculated would be Wilco or My Mornign Jacket. We were so excited that all of us bought tickets without consulting each other first so we have a couple extra. I am suprised it took an afternoon for Bob to sell a 1000 tickets in a pre-sale, if it were the east coast it would have been less than 10 minutes to sell out 2,100 capacity venue. Now we don’t have to decide between Arcade Fire & White Stripes, makes that choice helluva lot easier. On Sunday after we see Dylan for a second time (as the headliner) we’ll head back into town to The Parish and check out Porter Batiste Stoltz of the Meters to end our weekend bash.

If you’re a newbie and looking for some tips here’s my lowdown on some basic stuff you should know. Once you get your wrist-band resist the urge to take it off after you leave the first night, you will need to wear it for the 3-days. So if you have an OCD issue, this will be the place to get over it or you’ll be buying another ticket. A trip mid day to the Barton Springs pool is key to keeping yourself cool. Food at the festival is a little pricey but not as high as other festivals. There is a pretty good variety if your not a vegetarian. We stopped at a good Mexican restaurant downtown for lunch the first year we went. We rent bicylces while in Austin as the trek from the festival grounds to town is a couple miles.

Things you should have: Sun block & sunglasses as the sun is brutal in Austin. A cell-phone to get in contact with your friends. Your ACL Pass/Cash/CCs: If you purchased tickets to events don’t forget to bring that credit card. Something to sit on, the grounds are huge so there is a lot of walking involved. I bring a Neat Sheet, it’s like a beach blanket, which you can buy at a drug store. You can bring a chair, but you can’t, or I should say your not supposed to, bring it up close to the two main stages.

Shorts and T-Shirts for the day! I bring at least 1 extra shirt with me a day because the ride over can get sweaty. You can buy shirts there too if you run out. I highly recommend bringing a bathing suit, to go swimming at the hotel or at Barton Springs pool. A ziplock bag to keep your damp bathing suit in. Depending upon the weather you might need another pair of shoes, or not. Last time I was there they were a dusty a mess at the end but I only brought one pair. In 2003 they got pretty muddy from the scattered T-storms all weekend. If your balding (or bald like me) you may need a hat or you can purchase one from a large variety of vendors at the festival. One thing I have to remind myself is to not to jump up and down at shows anymore. I’ll be back next week with a full report, no pun intended.

Wilco New Song: “What Light”

Get an early taste of Wilco’s new album Sky Blue Sky on their site where they offer the track “What Light”, an obvious reference to the Velvets. I heard a part of another song as well as snippets of the whole album on this past Thursday’s edition of All Songs Considered host Bob Boilen chats the with the infamous Robert Christgau, Will Hermes and former WFMU DJ Meredith Ochs about the new Wilco album, and latest offerings by Modest Mouse, Fountains of Wayne and Bright Eyes. I haven’t heard the new Modest Mouse album yet, which has been out for a couple weeksbut I am looking foward to as well as all of these new releases. The NPR crew also play a very funny country song by Elizabeth Cook which by the title“Sometimes It Takes Balls To Be A Woman” you can get a sense of what it’s all about.

More Excuses and 3 eMusic picks

Speaking of excuses, yes I am still alive. But barely. I’ve been dealing with a herniated disc for the past couple months which has kept me in pain during most of my evenings, when I did have a little free time to write about music here at C-Pop. How’d it happen you ask? Funny thing is one of my last live music reviews I wrote about, could explain how I got into this condition. Back in November when I saw Spearhead I described how Franti encourages the audience to get up and jump. The entire floor was doing the pogo as was I. This most likely caused my spine to crush. I didn’t feel the effects right away and I was already experiencing the problem before I went into the show. But take note: jumping up and down on a wooden floor is not a good thing for your back. Although I’ve still been listening to and thinking about music over the past couple weeks, it has been hard to get the thoughts down as I deal with the pain. Last weekend I discovered that listening to music rather than watching TV calms my nerves and muscles down.

So bear with me as I try to make a comeback as I spell out a couple albums I’ve been playing in the past week. All of the following are recent downloads from eMusic and if you like and already heard one of them I’ll bet you’ll like the other two as well. My top favorite of this week and I predict being on my Top 10 list for 2007 is Shawn Lee’s Ping Pong Orchestra - Voices and Choices. Lee a multi instrumentalist, vocalist, game soundtrack composer, combines the sounds of Ennio Morricone and Serge Gainsbourg meshes them with Pink Floyd, hip-hop and tons of other references to create a transfiguring soundtrack for your mind. If you grab the eMusic daily download you may gotten the track “Song For David” a couple weeks ago. Last week KCRW’s Podcast: Today’s Top Tune featured the same song. Both places are great sources for new free legal downloads.

Next on my list which has been in my “Save For Later” folder for a while is “Voice Of Chunk” the 1989 release by Lounge Lizards, which blends a atmospheric moody cinematic sound with boundary breaking jazz. Speaking of atmospheric if you look up the word in the dictionary a picture of Vini Reilly (The Durutti Column) should be next to it. For nearly 30 years Reilly has been building upon an ethereal canvas that evokes the movements of both punk and dance. I download two albums this month by The Durutti Column but have only had to time to listen to 2003’s “Someone Else’s Party” which isn’t a completely perfect album but still works, particularly when played with the two previous albums I just mentioned.

Best of 2006

Making lists is a personal activity that alomst everyone does in their daily lives. We create lists for our shopping, our daily projects: “to do”, home projects for the year, our new years resolutions. But we rarely get to share our everyday lists unless others are involve with the said list. “Here’s the grocery list, did I miss anything?” “Take a look at all these Christmas gifts we have to buy, is there anything else you can think of?” Most people do not have a desire to see other people’s lists until they actually see them. Curiosity would arise if the list maker wasn’t around or if someone left their list in the shopping cart, “baby wipes, diapers, condoms, oranges.”

Year end wrap-up music lists that are put out by music critics and reviewers are essentially the same thing as these personal lists, that’s if they are not a consensus from a larger group. I usually have a list on the top of my head that contains my favorite albums and another with all the songs that came during the year that I liked. When I am asked during the year what I think is good, I try rattling it off from memory but the list is ever-changing. After some contemplation and reviewing I narrowed a year’s worth of albums and songs that I have been listening to and put it on paper. Well not really since it’s all in the computer and I reviewed in iTunes all the stuff I listened to during the year. So pretend you’re in my kitchen and scattered among my bills lie the following two lists.

My 21 Top Favorite Albums of 2006:

  1. Bob Dylan- Modern Times
  2. Mark Mallman- Between the Devil and Middle C
  3. Chris Smither- Leave the Light On
  4. The Gourds- Heavy Ornamentals
  5. Michael Franti & Spearhead- Yell Fire!
  6. Hank III- Straight To Hell
  7. Cat Power- The Greatest
  8. Phoenix- It’s Never Been Like That
  9. Carey Ott- Lucid Dream
  10. Dion- Bronx In Blue
  11. David Mead- Tangerine
  12. Camera Obscura- Let’s Get Out of This Country
  13. Alice Smith- For Lovers, Dreamers & Me
  14. Alexi Murdoch- Time Without Consequence
  15. Wayne Hancock- Tulsa
  16. Yo La Tengo- I Am Not Afraid Of You And I Will Beat Your Ass
  17. Robyn Hitchcock & The Venus 3- Ole! Tarantula
  18. Josh Rouse- Subtitulo
  19. Bobby Bare Jr.- The Longest Meow
  20. deadboy & the Elephantmen- We Are Night Sky
  21. Pearl Jam- Pearl Jam

My 21 Favorite Songs From 2006:

  1. Michael Franti & Spearhead- I Know I’m Not Alone
  2. Gnarls Barkley- Crazy
  3. Mark Mallman- Substances
  4. Camera Obscura- Lloyd, I’m Ready to Be Heartbroken
  5. Cory Branan- She’s My Rock-n-Roll
  6. Osaka Popstar- Wicked World
  7. Josh Rouse- Summertime
  8. The Lovely Sparrows- Your Flowers Will Bloom
  9. Pearl Jam- Parachutes
  10. Phoenix- Consolation Prizes
  11. deadboy & the Elephantmen- Stop, I’m Already Dead
  12. The Gourds- Decline O Meter
  13. Jenny Lewis with The Watson Twins- The Charging Sky
  14. Cat Power- Could We
  15. Darondo- True (Reissue)
  16. The Coup- We Are the Ones
  17. Alexi Murdoch- All My Days
  18. Drive-By Truckers- Feb 14
  19. Gomez- See the World
  20. Alejandro Escovedo- Dearhead On the Wall
  21. Cat Empire- Cities

Bobby Bare Jr. at Mercury Lounge, NYC - November 17 & 18, 2006

This past weekend I caught the last couple of shows that Bobby Bare Jr. did with his current line-up of the The Young Criminals Starvation League. The YSCSL are a rotating cast of stellar musicians that Bobby hand picks for each album and tour. Bassist Richie Kirkpatrick will pick up his guitar and head out on the road with his band Ghostfinger and fellow band-mate and former YSCSL member Matt Rowland will be rejoining him after spending the past couple months in Los Angeles recording an album. The drummer Van Campbell will be going back to record and go on tour with his own band The Black Diamond Heavies. Bobby will be heading to Barcelona for the 1st and 2nd of December along with Corey Younts who has been playing keyboards on tour for the past three months and has a long past with Bobby that goes back before they were both as both of their fathers played together. Original Bare Jr. members will take reigns in the vacant spots.

After seeing the band two months apart with this line-up they really have grown and tightened up in that short time-span. After the show on Friday Corey spoke to me about it and it’s a little sad to think that this lineup will not be playing together for quite some time if ever again. Although Bobby has strong personality on stage he allows his band members to show off their qualities as well. He has no objections when Richie presents us with power stances or jumps down from the stage and into the audience where he showboats his playing. Bobby encourages Corey and Van to give us everything they got as well. The highlight song from their set on both nights was “Borrow Your Cape” from The Longest Meow which on the album you can clearly hear the backing of Jim James and his band My Morning Jacket. Live Bobby and the band are able to transcend the composition and make it into their own.

Centro-matic were the headliners so-to-say during this tour, but Bobby got the better time spot at these Mercury Lounge gigs starting at 10:30. There were two opening acts who rotated spots both nights: Charles Bissell of the Wrens and David Vandervelde. I am not familiar with the Wrens but I think Charles Bissell needs accompaniment by another human rather than his own feedback and echos. I caught Vandervelde on Saturday night, who had his friend Ben Clark with him. They did a stunning rendition of Phil Ochs’ “Pretty Smart on My Part”. After a couple folkie type songs, Richie and Van joined them on stage for the first time with a rousing number and Corey came on for their final upbeat and rocking song. On Friday night, I stayed for a little bit of Centro-matic’s set and I enjoyed them, but just like their recorded works they never seem to break out out of the warm fuzzy shell that surrounds them. After hearing a couple of my favorites such as “The Mighty Midshipman” I didn’t need to hear anymore. Their foggy sound does not hold up after the rollicking mayhem that Bobby Bare Jr. and his Young Criminals create. By Saturday I was too wiped to stay even for a note of their set. Hoping next time Bobby’s in town he’s the main act so we get the full set treatment.

Bobby Bare Jr at Mercury Lounge photo 2
Bobby Bare Jr at Mercury Lounge
Bobby Bare Jr at Mercury Lounge photo 3

Michael Franti & Spearhead at Webster Hall, NYC November 11, 2006

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On an unusually warm Saturday night in November, Michael Franti and his band Spearhead performed to a sold-out crowd at Webster Hall in New York City. As soon as we arrived to our chosen spot on the floor: stage left and close to the bar, the band walked on stage and began performing without Franti. Mysteriously the vocals emerged to one of latest songs by the band which calls for our troops to come home from Iraq “Time To Go Home”. At first it seemed like it was a recording until Franti walked in and received huge welcome. In an instant the crowded audience immediately became hot and sweaty; I don’t think I was the only one to become very drippy.

All of Franti’s songs with Spearhead are written with the intention to be played live, embedded with call-outs and response getters such as “How you feelin’?” He also ignites his fans to from group hugs and prompts them to jump up and down somehow creating a positive pogo mob. Whether it be a small audience of three of a couple tens of thousands his message is always the same: peace not war or to put in his words “Power to the Peaceful”. The songs are combination reggae-funk-pop-acoustic-soul infused with politics in a non-forced humanizing fashion. The fact that show was on Veteran’s Day made it feel somewhat special since most of the songs on the latest album Yell Fire are about war and in support of the soldier as an individual. Franti, the band, my friends and the audience were all on an emotional high after the past weeks Democratic victory, which Michael expressed after the first song by saying, “I had an amazing week! How bout You?”

The entire set was short for what the band usually plays at under 2 hours, due to the fact that Webster Hall usually has dance night on weekends at 11:00. They played a great mix of new and old songs, including one new one “Everything Has Changed”. The highlight of the night was a speedy fast rendition of Sublime’s “What I Be” mixed in with a little “Twist and Shout” “ahhhs” and hand gestures as well as incorporating the Sesame Street theme song, C is For Cookie and other SS favorites. This was my second time seeing the band, the first being back in September 2003 at the Austin City Limit’s Festival, and strangely even though three years has past it was a very similar show. That would be the only negative thing to say about Franti. He is always on and continually influences great massive vibes but he is at fault for sounding repetitious. I recently watched his captivating film “I Know I’m Not Alone” which focuses more on his experiences in Iraq, Israel and Palestine and the people of those countries and less on music. But some of the same raps he used in this film, as well as the show I saw three years ago were virtually the same he is still using. With that said, I still fully enjoyed the show and would see him dish out these same raps over and over again because the message is important and needs to be beaten into everyone’s skull. And like I said in my review of Yell Fire if for some crazy conservative reason you don’t want to listen to his message you will certainly get a workout if you compy with his direction to move.

Setlist
Time To Go Home, Yell Fire, People In The Middle, Sweet Little Lies, East To West, Crazy Crazy Crazy, Rock The Nation, Stay Human, Sometimes, Hey Now Now, All Night Long Aint, Hello Bonjour, Light Up Your Lighter, What I Be (Sublime) + Sesame Street Medley, (Encores) Everything Has Changed, Please Take Me Home, I Know I’m Not Alone, Everyone Deserves Music, Everybodyonamove
got the list from Spearhead message boards but my wife pointed out they missed “One Step Closer” and we think the songs are little out of order.
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During “Light Up Ya Lighter”
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