Tag Archive for 'free-mp3'

Trick-or-Treat?

Is today April Fool’s Day or I am I just getting Tricks rather than Treats on Halloween? Two things arrived in my in-box this morning that have me slightly upset, well the first has me near tears. Yo La Tengo has announced they will not be playing any dates during Hanukkah at Maxwell’s this year. This is the event I look forward to all year and I have declined a couple other concerts that are coming up so I don’t overload myself.

From the band:

Hey everybody,
In answer to the most FA’d Q of the last few months, we have reluctantly decided not to play the eight nights of Hanukkah this year at Maxwell’s. We have concluded that our touring schedule is such we just wouldn’t be able to put together a lineup as Hanukkahriffic as years past. Was the refusal of the cast of “The Times They Are A-Changin’” to take part the last straw? Really, is there anything to gain in assessing blame?
But yes, it was.
Georgia, Ira and James

The second doesn’t affect me but it will affect anyone new to this site and visitors to blogs across the globe that point out an excellent place to buy music which we feature. eMusic has announced it will be decreasing the amount of downloads for new subscribers, but it doesn’t change if your currently a member. The prices of the plans are not changing but the amount of downloads is decreasing. With the Basic plan the 40 downloads a month now go down to 30 at $9.99 (around 34 cents a track). The Plus plan which had 65 downloads a month goes down to 50 for $14.99 (around 30 cents a track). And the Premium plan which had 90 downloads goes down to 75 a month at $19.99. That’s around 27 cents a track which is still a great deal but I know it’s going to get a lot of people very upset. There is a discount when you purchase a 2-year 90 download per month at $359.82. If you are a member and you do not have the Premium Plan this is the time to do it because after November 21st you won’t be able to go up anymore.

So I am going to be nice and not trick you, here are a couple Halloween treats for you:
Night Time Reaper Garage rock from the Apes from Washington D.C. playing this Thursday opening for the Slits at Maxwell’s. A speedy punk song about Frankenstein’s Car by The Spectremen.

A Halloween 2006 DIY Almost Free MP3 Mix

Calling All Fiends album coverSo your trying to make a Halloween mix for this weekend’s bash, or you went to one this weekend and the music bombed (I mean how many times can possibly listen to Michael Jackson’s “Thriller”) and you have it in you to fix that for next year. So let’s fill that puppy or should I say three-headed dog with some strange, unique music your friends never heard that you can seize for free or very cheap.

The creators of Oddio Overplay an eclectic database of DIY, free, legal and obscure sounds, have put together a collection of “frightening, damaging and disturbing music” they call Calling All Fiends, that will help intensify that perfect Halloween mix. The on-line collection is divided up into three beastly sections. The first sixteen songs are Cinematic and Soundscapes based and some would be perfect to play as hair-raising background music for a Haunted House. The second and third groups are Rock and Dance and Fiendish Songs. I suggest throwing the following spine-chilling cuts from the series. A frantic robotic-like techno track by Click Click Click (not to be confused with Chk Chk Chk) entitled “Romance Keys”. The DVDs lead by 6 year old David G, dispense the scary tale of the “Big Orange Monster”, think They Might Be Giants but lead by a kid. A northerner’s tale of “Southern Gothic” is sung/spoken by Bureaucratica, AKA Matt Love of multiple DIY bands. Sink your fangs into horrifying hypnotic mixes of synthesized sounds such as “Trickertreat” by Lenkei a graphic designer based out of of New York City and “the Pit” by The Threshold People. Also check out Martinibomb and the Coconut Monkeyrocket’s monstrous remix of the Munsters Theme they call “Munster Beat”, it will entice you to get your ghoulish groove on, so I suggest putting this on right up front.

You have to pay for this next one, but if you do it through eMusic it will be well worth it, at least for one play each year during Halloween season. The North American Halloween Prevention Initiative released “Do They Know It’s Hallowe’en?”, a novelty parody of “Do They Know it’s Christmas” last year as a charity-benefit song where all proceeds go to UNICEF. The NAHPI consists of Arcade Fire, Beck, Buck 65, David Cross, Devendra Banhart, Elvira, Peaches, Postal Service, Redd Kross, Rilo Kiley, Roky Erickson, Sonic Youth, Sparks, Wolf Parade among others.

YANP posted a cover version of Ministry’s “Every Day is Halloween” by the MiamI based band The Postmarks which will work up next with Steve Wynn’s live solo version of Dream Syndicate’s Halloween recorded last year on the 30th in Germany. I found a bunch that are just on MySpace, so the bit-rate is pretty poor but if that doesn’t bother you check out the Oklahoma based band Evangelicals who just put a new song, appropriately titled “The Halloween Song”. It has the aura of a Bright Eyes song with light strange eerie noises with vocals applied in a jauntily fashion. Also check out this one by Calabrese it’s rockin’ tune that will add some fright to the night if yu can figure out how to download it.

DC mash-up artist SOLCOFN (AKA Phil) has put together Son of Monster Mash Up a collection of devilishly delicious mashes done by DJs including my fav mash up artist DJBC. Barrage your victims with Cheekyboy’s “Halloween with Morrissey”, Mr Fab and His Bag O’ Heads’ “Skeleton Crew on the Graveyard Shift” and “Haunted House of Mash ups” by DJBC. So that should help you get started composing a Ghastly G(h)oulash of Halloween treats for the ears.

The Lovely Sparrows - Pulling Up Floors, Pouring on (New) Paint

The Lovely SparrowsAustin’s The Lovely Sparrows, produce sweet soulful harmonies backed by breezy acoustical guitars, combined with a multitude of various instruments on their latest five track EP Pulling Up Floors, Pouring on (New) Paint. This is their second release, the first being a 7″ released earlier this year. They have a similar sound to fellow Austinites American Analog Set, as well as influential mixture of The Kinks and Big Star in a similar fashion to way The Shins set up their compositions but more carefree. Lead singer and songwriter, Shawn Jones provides illuminated narration to the bands open and airy landscape. The setting is soft around the edges, like a fluffy cloud mixed with mini bursts of tiny explosions of percussion.

All of the songs are blended together rather inconspicuously and release an overall soothing impression. Upbeat finger-snaps and hand-claps nestled together with a harmonious jangling guitar strum and the robust patter of the percussion construct the third track “The War Has Seen the Best of Me”. In turn it is followed by “Attention Disorder Kid” which openly critiques how our nation is drugging our children and turning them into drones: “Attention disorder kid, they want to replace with you robots. All things not cool, come round, come round. You’ll hear them say settled down, settle down”. The piece is slightly scattered and has it ups-and-downs (as well it should) and concludes by seamlessly blending into the first 45 seconds of the final track “Let’s Watch the Tourists”. We watch the tourists as they shuffle along with another mixture of clatter and clanging, loosely meshed together as it closes the 20 minute collection rather nicely. But guess what, my two favorites are the first two tracks “Chemicals Change” and “Your Flowers Will Bloom” as they are both a bit more polished and shine ever so brightly. This EP sets up a promising future for The Lovely Sparrows that I am looking forward to hear.

Freebies
A high quality version of the lead off track Chemicals Change. Pick up the EP at eMusic or iTunes or order the actual CD from Abandoned Love Records.

Willowtree - What a Way to Go!

Willowtree - What a Way to Go!I have a suspicion that David and Scott are corrupting influence as these last few weeks have been spent listening to more rock acts than I have in the past few years. Between them and my rampant nostalgia for sounds that mine memories some fifteen years in the past I’m losing sight of the House and Jazz that usually dominates my playlists. Anyway, Willowtree released their sophomore effort, What a Way to Go!, earlier this year and it is a bright, upbeat pop album that rips through ten tracks in just over thirty minutes. Joel Ekelöf dulcet vocals are supported by a rhythm section seemingly joined at the hip that adds quite a bit of swing to each song, particularly with Andreas Hollgren’s crisp and gunshot like drum work.

“Berlin-Helsinki” Is the best example of the band’s lockstep approach to performing as the song, while minimal in composition it features several tempo shifts from verse to chorus with each voicing taking a different approach. From the snaking bassline and swaying drum work to the staccato and angular guitar riffs, the band projects an air of confidence in each other and comfort in what each will do. Ekelöf is at his strongest, projecting a radio friendly voice that is at once powerful but tinged with a sense of plaintiveness. It is a finely crafted pop song that is instantly mix ready as it the the more indie leaning “Summer TV” with its layers of guitars building up and washing out over the reverb dampened vocals.

What a Way to Go! is a fine album to cap off the summer, leading you by the hand into autumn. The album makes me pleased that I have been succumbing to my partners rock-centric ways, so if you are looking for a fun nugget of Pop than you can do no better than Willowtree. Highly recommended. Grab You Know It for free from their website along with some videos or stream four tracks over at Myspace.

Our Lady of the Highway - Beauty Won’t Save Us This Year

638448.jpgA prayer before I put in my earbuds: “Our Lady Of the Highway, may you be with me on this journey, which does not leave the confines of this room for fear of taking off my headphones as others my hear the desolation that tears apart my wretched heart. Amen.” Back when I was kid when musicians got all sad and mopey they wore black and started a band, covering nothing but Joy Division and wore makeup like Robert Smith, and we used to walk to school - up hill both ways. Today depression comes in all shapes and genres, and San Francisco’s Our Lady of the Highway heaves it out layered in alt country, mainstream pop, a little faux punk and some emo, all mixed together with oppressive lyrics. The lead singer, Dominic East writes all the songs in his bedroom and that fact is clearly apparent in this 2005 release.

Although East’s vocal stylings have a similar quirkiness to bands such as Modest Mouse, Built To Spill and the Mountain Goats, the lyrics are immensely personal, as most of the songs are about breakups and of course the inevitable broken heart. Musically they sound like a lot of current acts that are mainstream which surprises me they haven’t hit it yet. The band has the capacity to rock out but the high parts are too short: the intro to “End of the World” has a dub/funk/reggae jam which lasts only 23 seconds. Right now this album, Beauty Won’t Save Us This Year, is available for free on eMusic as well as the band’s website when you purchase their latest release Kill You With Numbers. From one free track, I Get The Sense it appears the band is beginning to branch out but they still need to reflect on other things than that girl that broke his heart years ago.

Free album: Beauty Won’t Save Us This Year

Elf Power @ 40 Watt 8/5/06

Elf Power recently headlined a night of the Team Clermont Ball at the 40 Watt in Athens and played two sets. The first consisted of their own material and the second was all covers, including eyebrow raising fare like “Ghostbusters” (actually a lot of fun) and that annoying theme song from The Greatest American Hero. I finally got a chance to listen to the whole show, generously made available by Sloan Simpson at his great Southern Shelter blog.

I jumped on the covers set first because I was very curious to hear the band’s versions of those songs. Novelty tunes aside, Elf Power has excellent taste. They play loose and likable versions of The Beatles, VU, Dylan, Stooges, Sabbath, Neil Young, and Bowie among others. Their take on My Bloody Valentine’s “When You Sleep” is especially good. Nothing’s Going To Happen, their ‘02 covers album, is also worth checking out if you can’t get enough of them playing other people’s songs.

The first set is pretty cool too. They give a nice sampling of their catalog, with a song or two from each of their albums except for their debut, Vainly Clutching at Phantom Limbs. (That’s the only one I haven’t heard, incidentally. I’m still hoping for a reissue that lands on eMusic some day.) The band sounds like they’re having a fine time as they run through some of their best material. “The Separating Fault” and “Skeleton” are particularly strong. But the real standout for me is the jangly, slightly faster version of “All the World Is Waiting” from their most recent album, Back to the Web. It loses most of its glam swagger but the scrappy, stripped down translation calls attention to just how good a song it is.

Elf Power has played several times in Atlanta or Athens in the last few months, but I haven’t caught any of their shows. I hope to get another chance to, not only because I want to see them again, but also so I can get my hands on a copy of their tour only rarities collection, Treasures From the Trash Heap. I must have that album!

Murder Mystery

Murder MysteryFrom Amanda UnBoomed comes this tip off for her brother’s band, Murder Mystery, whose music is delightfully unassuming and unpretentious little nugget of guitar driven candy-coated pop. I found them to be a bit of a time warp that wraps together the sounds of the past several decades of music into a neat little package.

Some quick thoughts about the four free tracks on their website:

  1. Honey Come Home could be classified as jangle but the guitars are less bright being more focused on a low-key crunch.
  2. In A Sentimental Mood is a mid-tempo pop number that possesses a sheen of Northwest post-punk-Sixties-pop revival.
  3. Think of Me is a soft foot stomper that has a touch of country shuffle with its slightly twangy guitar lick.
  4. Who Doesn’t Want To Give Me Love? Glossed over with an early 80’s British Pop feel.

It is the sort of music perfect for whiling away the time on a lazy weekend or sing along to on a drive to the beach. Give it a shot.





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