Tag Archive for 'power-pop'

Cheap Trick - Rockford

cover2.jpgCheap Trick have soldiered on for more than thirty years now but their output has been pretty spotty since 1979’s Dream Police. I had heard a lot of good things about Rockford though and was happy to see it turn up on eMusic this morning. Sure enough, it’s a solid album that will please both die-hards and casual admirers. On all twelve songs the band displays their mastery of creating not-too-slick arena sized power-pop. Robin Zander’s voice has aged well and his range is what helps make the melodies so catchy. And then of course there’s the guitar heroics of Rick Nielsen, driving the songs rhythmically while simultaneously tearing them up with flashy but tasteful leads. He’s like two guitarists in one! Rockford is an inspired effort of hook filled rock and easily the best Cheap Trick record in years.

Mixtape tracks- “Perfect Stranger,” “This Time You Got It”

Freebies- None but both of the above songs, plus “If It Takes a Lifetime,” can be streamed from the Cheap Trick site.

The Raconteurs - Broken Soldier Boys

cover.jpgI was holding out on this one but curiosity ultimately conquered my reticence. In case you’ve been in a coma or rely solely on Candied Pop for your music news, The Raconteurs are a so-called super group made up of The White Stripes’ Jack White, power-pop savant Brendan Benson, and The Greenhornes’ drummer and bass player, Patrick Keeler and Jack Lawrence. I’m not much of a White Stripes fan but I did want to check out how Jack White fared playing with a decent rhythm section. And I do really like Brendan Benson so I was interested to see how he meshed with a more bluesy-by-way-of-garage based crowd.

The result? Broken Soldier Boys is only okay. It’s not as loose or fun as you might expect from such a convergence, nor is it very inspired. If it weren’t for the novelty of the band’s pedigree, I doubt most people, myself included, would even have paid much attention. In fact knowing who the players are actually distracts from the music. I’ve yet to listen without thinking, “So that’s the best they could come up with, huh?”

The most surprising aspect of the whole arrangement is that it largely sounds like a Brendan Benson album. “Hands,” “Today,” “Yellow Sun,” and “Call It a Day” would all sound at home on one of his releases and that’s nearly half the album. Jack White’s presence is somewhat subdued in comparison, mostly relegated to background vocals and not particularly flashy guitar duties, although he does take lead to approximate Robert Plant on “Blue Veins” and the title track. One of the few songs that sounds like a true clash between the two artists’ styles is the Zep riffing power-pop of “Intimate Secretary.” It also features ridiculously inane lyrics like, “I got a rabbit, it likes to hop / I’ve got a girl, she likes to shop / The other foot looks like it won’t drop / I had an uncle and he got shot.” Perversely, those lines have been lodged in my brain for days.

The best song, by far, is “Steady, As She Goes.” Starting off with a slinky bass line and almost surf-y sounding guitar, it immediately grabs your attention and then completely reels you in with chunky guitar hooks and an undeniable chorus. As the opener, it’d be nice if it signaled even better things to come. Unfortunately it only gives a glimpse of their potential. But if this is just a one-off project, they’ve at least left behind a pretty great single.

Mixtape track- “Steady, As She Goes”
Freebies- No mp3’s but you can stream “Steady, As She Goes” and “Store Bought Bones” at the band’s official site.

The Weather Machines - The Sounds Of Pseudoscience

10908332_155_155.jpegQuick, name a musical artist from South Dakota! Uh-huh. I couldn’t either, at least not until I started checking into The Weather Machines. This Rapid City four piece plays catchy Ted Leo-esque power-pop songs with friendly power chords, fat bass lines, and understated drums. Jason Ward’s voice especially reminds me of ol’ Ted, but overall they’re a more straightforward rock band. Highlights include the chiding “Northern Lights” (”Stop showing your scars / because it’s never been clear who got the worst of what you say”), the stutter stop of “The Latest In Company Brides,” and the riffed out “32,000′ Above Suck City.” Clocking in at just over a half hour, the dozen solid songs of The Sounds of Pseudoscience are catchy, concise, and definitely worth a listen.

You can stream the whole album at The Weather Machines’ site or download a couple of free mp3’s. There’s also a few songs to listen to at MySpace. And if you like what you hear you can grab yourself a digital copy at eMusic. Special thanks to our good friend Mike over at ex libris for pointing this one out a while back.





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