I received an advance copy of this quite a while ago. Initially I played it a bunch of times with the intention of writing a review and then realized just how far in advance it was. Since the release date was nearly two months away, I set it aside until this week. Turns out the layoff was probably a good thing. I was set to pan Axis of Evol but now feel a little more favorably about it. Despite glaring and unforgiveable shortcomings, it manages to be an okay album.
Most problematic, to the point of distraction, is Stephen McBean’s lyrics. Axis of Evol has a stoner rock vibe and McBean must have been in that state of mind when he wrote the verses. That is if he wrote them all beforehand to begin with. There are several instances when the use of “la la la” or some such syllable is used to complete a thought. Whether or not the words were improvised or carefully considered, they’re rife with cliched inanity involving Jesus, the devil, plastic men, drugs, and sticking it to The Man. Here’s a sample from the first track, “Comas”: “I know I’m not headed down the highway to hell / I’m through with you devils my spirits have sung / Take what you want, what you want is for free / Free to take you and for you to take me / La la la la, la la la.” Uh, okay.
The absolute worst song is the seven and a half minute closer, “How We Can Get Free.” With just a semi-conscious sounding McBean and his guitar, it’s painfully slow, spare and confused, sounding like drug-addled improv. “Come on, come on welcome home / Baby, baby, baby you die and give up the soul / Ba ba ba ba ba ba ba,” is actually one of the verses. Seeing as there are only seven songs on the album and the whole thing clocks in at only thirty-five minutes, to include this at all and especially as the final impression was a horrible misstep. Leave this one off and Pink Mountaintops have a vastly improved mini-album or EP.
Lyrics aside, there are a couple of great songs that rescue the album. The Velvety “Cold Criminals” is a head nodding jam with a busy, wailing bass line over a repetitive two chord clang and stomping propulsive drums. The other winner is “Slaves,” a nearly nine minute slab of droning psychedelia where the mind bends along with guitar strings and wanders through kaleidoscopic chiming while the body rocks to hypnotic tribal drums. Think of it as an aural hallucination.
Axis of Evol comes out Tuesday March 7 and should be available for download somewhere. The label it is being released on, Jagjaguwar Records, is on eMusic so it will probably be there. I recommend listening to the samples and cherry picking the better songs. You can also grab a free one at the band’s Jagjaguwar page.